Saturday, 21 September 2013

Philipp Plein Spring 2014: Black Celebration?

I am not a 'fashion insider', so to speak: I have never attended a fashion show outside of Canada and can only base my speculations about the fashion world through my many years of reading Vogue, Bazaar, W, Elle and viewing programs such as FashionTV and Fashion File (only when the incomparable Tim Blanks hosted, of course). Despite my absence in the front rows of New York, Paris London and Milan, its pretty clear there is a prevalent lack of models of color represented in fashion.

The issue of racism in the fashion industry has been greatly publicized lately with the whistle blowing interview featuring fashion veterans Iman and Naomi Campbell on September 9 2013:
ABC News video: Naomi Campbell & Iman speak out about fashion racism

For his Spring/Summer Women's collection as part of Milan Fashion Week, Philipp Plein presented a cast of entirely black models. Did he have this idea or cast his models before the September 9 interview that set the fashion world afire? Or is he utilizing this hot issue to gain more media exposure? I personally do not know what his vision or intent was, but I did enjoy the departure of the seemingly all-white runway show typical of the major fashion weeks.

photos: Philipp Plein SS 2014 from style.com:



Philipp Plein with Liya Kebede at his Spring 2014 show

In their recent ABC interview, Naomi Campbell and Iman addressed their concerns publicly and specifically to the CFDA in New York to appeal to designers and the industry at large to represent more women of all colors while singling out specific designers who consistently use 1-2 or no models of color on the runways.

What about fashion shows that ONLY present models of color? There have been occasional runway shows featuring only models of color, but they mostly appear to have taken place by the major designers' shows in Asia.

Alexander McQueen's Sarah Burton showed a cast of all Asian models in a 2011 runway show. Although the show was presented in Beijing (and she had already presented the collection as part of Paris Fashion Week months earlier) just as McQueen opened one of its largest boutiques in the area.
Alexander McQueen's all Asian runway show
Giorgio Armani as well presented an all Asian show in Beijing in 2012.
Giorgio Armani poses with his modes in 2012
Givenchy's Riccardo Tisci also presented a runway show featuring all Asian models in 2011 for his Spring Couture show, but this time in Paris.
Givenchy's all Asian cast, Fall Couture 2012

Despite Philipp Plein's intention with his Spring 2014 runway presentation, it will spark an international dialogue in the fashion world and with consumers that is greatly needed. I have heard fashion magazine editors say they hardly hire models of color because they simply do not want to be seen by the magazine readers. I have heard fashion show casters say they use mostly white models because the paleness of the skin was part of the designer's overall vision and that often darker skin is not cohesive to the collection.

But then why hire white models and pass them off in blackface like Numero Magazine's March issue this year. This editorial was called "African Queen":





And what about these blackface photos from Paris Vogue featuring Lara Stone?

Former fashion editor for Paper Magazine, Zandile Blay, who happens to be a black woman, saw the Steven Meisel photos for the October, 2009 Paris Vogue as artistic and did not find them offensive, but asked the readers of Huffington Post if the images were 'racy or racist'. She believes the editor of this shoot, Carinne Roitfeld, is not racist but probably doesn't know any black people and didn't comprehend the racist implications this editorial had. You can see Blay's post on this issue here.

Just go and google the term "blackface in fashion" and you might be astounded at how many examples you can find. There are some terrifying images in a post by Emerald Pellot here at College Candy.

I wonder if Plein's collection was a celebration of black women, a publicity stunt or just the desire to shake the fashion world up a bit? In a society where a woman from New York who happened to be of Indian descent is crowned Miss America and the world erupts with racist tirades, even calling her a terrorist because of her skin color, I wonder if those editors and runway casting directors were being honest; perhaps the global consumer does not want to see more people of color presented in the media?

Friday, 20 September 2013

Buon Compleanno, Sophia! Sophia Loren turns 79!

Sophia Loren. That face. That BODY. Seductress. Actress. Fashion icon. The woman who stole Cary Grant's heart when she was just 22 and he 53. I can't say that I blame him - after all, who could really resist Sophia Loren no matter their age, gender or species?

This year Sophia turns 79 and she is still fabulous. To celebrate, let's take a look at Sophia throughout the years as well as her influence in fashion; from Guess Jeans advertisements to Steven Meisel's epic Sophia Loren homage starring Linda Evangelista for Vogue Italia in 1990.


 



One of my absolute favorite editorials EVER: Steven Meisel for Vogue Italia with Linda Evangelsita 
(hair by  the incomparable Oribe):




Here's Sophia and Linda Evangelista:
(Linda starring in an ad for Kenar, 1994)

 And here's a Sophia Loren inspired spread from Guess Jeans in 2008:


and here is Sophia Loren now:


Happy Birthday, Sophia!






Monday, 16 September 2013

Giles Spring/Summer 2014: Ode to Glen Luchford

As the spring 2014 collections in New York revealed  their homage to the 1990's with crop tops, bodycon silhouettes and tank dresses, Giles Deacon takes this 90's homage to the next level by literally using iconic 1990's fashion photography from Glen Luchford. 

You know that gorgeous image of Amber Valletta seductively floating along in a small boat along a fire laden river for Prada F/W '97?

Glen Luchford for Prada F/W 1997
Now that image is immortalized on a chic modern shift dress.
Giles S/S 2014

And those funky photos of Kate Moss all dressed up like a techno-cow girl in 1994?

Kate Moss by Glen Luchford, 1994

Kate Moss by Glen Luchford, 1994
Now ... diaphanous dresses ...
Giles S/S 2014

Giles S/S 2014

I admit I giggled with delight when I saw these timeless images in Giles' collection. Growing up, these images inspired me and now, they continue to inspire and  tug at my nostalgic heartstrings. This blatant self reference to the fashion world and the nod to the 90's (replete with dresses paired with sweet kicks!) is ironically cool. 

photos: style.com


Thursday, 14 February 2013

The Great Manhattan Caper: NY Fall 2013

Yes, Capes! They are all over the runway in New York for the Fall '13 collections. Capes as chic dress covers seen at Zac Posen and Naeem Khan or as utilitarian outerwear presented by Vera Wang and Derek Lam to bejeweled boho versions at Oscar de la Renta. There is nothing quite like the movement from a long, flowing cape; it seems to add so much mystery and elegance. My favorite capes from the New York collections are the dynamic jersey versions from Donna Karan (see previous blog entry). So bold yet so feminine.

I can't help but think this trend was inspired by none other than the fabulous Tom Ford; his stunning white dress/cape ensemble worn by Gwyneth Paltrow at last Year's Oscars was at the tip of every fashion editor and fashionista's panting tongues - it was just a question of time before his vision would surface with an encore from his peers.

Now to find out what Paris, Milan and London have (or rather, don't have) up their sleeves for their Fall 2013 collections.

photos from style.com

Gwyneth Paltrow in Tom Ford

Monday, 11 February 2013

Donna Karan Fall 2013

I am so thrilled the Fall collections have kicked off today in New York! The first collection I had to review was that of one of my most favorite designers, the irreverent Donna Karan. Her brilliant silhouettes, drapery and color stories are always so inspiring and feminine.

Her collection for this fall is a sweeping orchestra of browns, charcoal grays and seductive blacks. The most powerful looks for me were the amazing draped dresses; the juxtaposition of sheer inserts, body hugging jersey drapery and the loose fluidity of the attached capes are at once wondrously lyrical, sexy and ultra-feminine. These pieces evoke to me an image of a mirage; a vision of a seductive woman traipsing through a torrid, dusty terrain, her cascading cape undulating against the wind. 

Now I want to sew capes into all of my clothes.

photos from style.com










Tuesday, 5 February 2013

lace, lace, baby.

Lace. Elegant, seductive and acutely feminine.   

The Pre Fall and Couture 2013 collections explored lace's ultimate elegance with a discernment for it's sexy, edgy side. Sheer lace and cutouts were seen from Michael Kors to Emilio Pucci to Valentino and back to Elie Saab; the playfulness between the alluring flashes of skin beneath the luxuriously intricate and traditional craftsmanship provided a feminine strength perhaps not typically associated with one's idea of lace.

Of course, the daring runway presentations will be mostly reinterpreted for the non-red-carpet-super-hero elite, with solid linings shielding unwitting citizens from the provocative bare flesh. Even Jennifer Lopez lined those infamous legs in her recent Golden Globe Elie Saab dress ... and it still harmonized with it's original, sexy runway version.

photos from style.com

Jennifer Lopez in Elie Saab at the 2013 Golden Globes 


I am waiting in quiet impatience for the Fall 2013 collections in the coming weeks. Hopefully, there'll be more lace.

... till then,

Mel



Saturday, 29 September 2012

Jean Paul Gaultier SS 2013

Oh, Jean Paul Gaultier! How we adore your humor and enthusiasm ... at least I do. Gaultier's latest collection was a tribute to some of the great pop stars of the 1980s. Models sauntered down the catwalk as replicas of such artists as David Bowie (Ziggy Stardust persona to be precise, which is not from the 80's, but this was so cool so who really cares?), Annie Lennox, Grace Jones, Boy George, Michael Jackson and one of Gaultier's most famous collaborators, Madonna.

Gaultier used the collection as a literal walk down memory lane, embracing the style and personas of these famous musicians; the clothes shown here were not the result of mere inspiration but seemed to appear out of  a time capsule closet from the 1980's Gaultier must have kept aside and decided to present to us for this spring's collection.

Ziggy Stardust model

Boy George model

Annie Lennox circa Eurythmics model

Grace Jones model

Michael Jackson model

photos from style.com